The Waiting Room

On Wednesday, some CreComm friends and I went to see The Waiting Room at Cinematheque. For those unfamiliar with the film, it's a documentary about the American health care system. It chronicles a day in the life of the doctors, nurses and patients at Highland Hospital in Oakland, California.

I had a basic knowledge of the American healthcare system going in, but I found that the film really brought to life some of its flaws and deficiencies. That being said, however, many statistics have shown that Americans have better quality healthcare than Canadians - it's just that not all Americans can afford it.

A 2010 Commonwealth survey reported by the Health Council of Canada found that 42% of Canadians waited 2 or more hours in the emergency room, where only 29% of Americans have had to wait that long. The study also found that 43% of Canadians waited 4 or more weeks to see a specialist, versus only 10% in the United States.

This improved service comes at a price, though. A 2007 Consumer Reports study stated that 16% of Americans have no coverage or insurance at all, and an additional 24% are under-insured, working with insurance that barely covers their immediate medical needs and would not leave them prepared to deal with any additional medical expenses. Compare this to the Canadian system, where all essential medical services (aside from prescription medications) are covered for all citizens, and you begin to see where the imbalance lies.

According to the Congressional Research Service, the United States government spent $6,102 on healthcare per person on average, which is more than double the average of OECD countries and 20% more than the second-highest country, Luxembourg. And this considering most healthcare in the United States is privatized.

This might be a result of the gross inefficiencies of their system. The New England Journal of Medicine published an article in 2003 stating that medical administration costs in the United States were more than triple the amount they were in Canada, and that Canada's provincial single-payer system had overhead costs of 1.3%, versus a whopping 13.2% in the American private insurance system - more than ten times the cost. 

OK, that's enough analysis of the healthcare systems.

As a documentary, I think The Waiting Room worked well. It definitely told a story, following a number of the patients from admission through to discharge and following the staff throughout their shifts. I think the film portrayed the stories of the patients and staff in a very natural, engaging way, simply by observing and capturing the right moments. There was no narration, no text overlays, no additions of any kind; there was only the words and actions of the people at the hospital, in a natural and relevant context.

Within the context of a single hospital, I think the documentary maintained objectivity. However, as a commentary on the American healthcare system as a whole, the fact that it was only documenting the one hospital definitely narrows its scope. It was obviously a conscious choice, and I think it worked.

My one complaint with the film was the shooting. Much of the time I would attempt to focus my eyes on a certain person in the shot, but the camera would be focused on something else, or on nothing at all. It would then shift focus to something else, and then back, and then to nothing, and so on. There was no end to the refocusing, and there were too many moments where nothing was in focus, or where only one small irrelevant piece of furniture would be in focus, instead of the faces or hands or other important things in the shot.

I thought that most the people the director chose to show and to interview were great. The staff members in particular were immensely helpful to the story, and made the film easier to engage with. They had great insight, even subtly through their stories, and their personalities were shown through their various scenes. I felt that the interviews were well placed, and felt very natural - they just came and went, without the viewer really noticing a definite change in tone from candid to interview.

The audio was also tasteful. Music was sparse to non-existent; I only noticed it at the very beginning and during the end credits, as well as in one brief scene where the waiting room is almost empty and is being cleaned. I thought that bit of music added some colour, interest and reprieve without pushing the story in any one direction. The rest of the audio was neither here nor there - some good ambient sounds were included, but nothing spectacular or out of the ordinary.

Overall, I enjoyed The Waiting Room, and for me it sparked some interesting analysis and reflection on our own healthcare system.

Solo Album IPP

The deadline for our IPP (Independent Professional Project) proposals is still somewhat far off, but I've been putting some thought into my project, and have come to a decision. I am going to record an album.

Over the summer, I'm planning to work with Allen Penner of Motive Music in Steinbach to do all of the recordings. Hopefully I'll end up with enough songs for a short album, although an EP would work just as well. 

By September, I plan to be finished in the studio, at which point I will start organizing the release of the album. My aim is to have a release event in December, in the form of a concert with some kind of reception. If planning goes poorly - or the timing works out in favour of the backup plan - I may move the release event to February, during Reading Week.

At this point, I have a handful of songs written for the album, but will need to write about half a dozen additional songs in order to have enough material. This is something I'm already beginning work on. Here's one song that will definitely be on the album, although in a more fully realized capacity:

In other news, the radio show is going well, and I encourage anyone who likes vintage soul and R&B, or melancholy music of any genre, to tune in to The Dark End of the Street, Thursdays at 8pm at radio.rrc.ca. I'll be getting podcasts up soon as well. For more info on the show, see my previous post, and follow the show on Twitter: @DarkEndShow.

The Dark End Of The Street

Tonight (January 17) at 8pm marks the debut of my live show on Red River Radio: "The Dark End Of The Street."

The deal: a one-hour live show celebrating the best sad songs ever recorded. Each show will begin with some soul and R&B from the 1960s and 1970s, and slowly branch out into a variety of different styles - all while maintaining the melancholy aesthetic.

The show is named after a song by James Carr, who could be considered the show's patron saint. Some other artists already on the playlist include soul/R&B legends Otis Redding, Marvin Gaye and Al Green, as well as modern artists such as Cat Power, Charles Bradley, and Feist.

I spent this week preparing for and promoting the show, which included hours of going through music and creating playlists, which I absolutely love to do, and creating a new Twitter account. You can follow the show on Twitter: @DarkEndShow.

If you're interested in listening, it will be airing at www.radio.rrc.ca every Thursday at 8pm. Also, if you have any suggestions for sad songs to include on the show, or artists that have a real melancholy vibe, I would love to hear them! Just leave a comment or send me a Tweet.

In Defense of Change

A new semester is beginning, and I will resume blogging. However, the blog you have all come to know and love will be coming to an end.

That's right - no more posts that make you guess whether I am actually a hipster or just trolling the world. I am putting that behind me.

What you can expect in the future is something more akin to a professional blog, outlining what I am up to with school and professional projects, as well as my superhero life where I moonlight as a musician.

I'll be posting again before the week is out. And who knows? Maybe an empassioned essay about the irony of vintage hip-hop music will slip onto the blog, unassuming and unnoticed. We'll see what happens.

Forever a hipster, and forever yours.

Jacob

In Defense of Memes

All hipsters love memes, even if it's only to be ironic.

Here's my best-of.

And as if that wasn't enough, the government of British Columbia recently decided to attack hipsters in their latest campaign to combat unemployment... Not sure if it's constructive to be insulting your target audience, but each to his or her own, I guess. The six-week campaign consisted of primarily the following advertisement, with a second one about not winning the lottery found in some areas as well.

I guess normal tactics for fighting unemployment were just too mainstream.

In Defense of Miscellany, Pt. 1

This will be the first post of an ongoing series of "special feature" posts, in which I will introduce and discuss a variety of items that have made the little hipster man inside of me raise an eyebrow in interest or unintentionally slacken his mouth in amazement.

 

Number One: The Trophy Pot
I thought this was pretty good. Using a trophy as a pot. It satisfies so many things inside of me, I don't even know where to begin...

Well, first of all, it shows a sense of irreverence to sports or competition (I guess trophies can come from things other than sports, although let's face it - I would be using a sports trophy). I would happily buy an old track & field trophy from the thrift store and fill it full of dirt, just to show a lack of appreciation for physical competition. But it's more than that.

By planting something in it, you are replacing the intended function of a trophy - to reward a person for their dominance or superiority over another person, or to brag about that superiority - with an alternative one: to house and support another living thing.

Number Two: Vinyl Record Wedding Invitations
Found this one by accident when trying to learn how to cut my own vinyl records... This company takes 7" 45rpm records ("45s" or "singles") with generic square dance music on them, and just prints custom sleeves and labels to turn them into wedding invitations. If my prospective wife doesn't agree to this, I am boycotting my own wedding.

http://www.customrecords.com/wedding_save-the-date_invitation_records.html


Number Three: Every Single Thing About This Video:

http://www.youtube.com/watch?v=XkcGuZHPbKk

It's the music, the colour, the fashion, the segregation, the inversion, the editing... I could go on, but the drool on my keyboard is beginning to pool.

In Defense of Halloween

Now, you might say to me, "Jacob, everyone loves Halloween."

To that I would say, "That is a gross generalization, and I won't stand for it." However, you would be mostly right. Halloween is widely loved and celebrated by many people, not just hipsters.

For hipsters, though, Halloween holds a special appeal. It is an opportunity for them to express themselves without saying any words. Similar to nerds in many ways, a hipster will often plan his or her costume for months in advance, and aim to have the most clever costume at whatever sad, ironic event or obscure concert they plan on attending.

On Haloween, I attended a concert featuring a few obscure bands at a small local venue. Aside from a couple of punks dressed as zombies, the vast majority of attendees were hipsters sporting meticulously crafted costumes depicting obscure cultural references, visual puns, or ironic stripper outfits. Vintage sci-fi characters, 80s police officers and Wayne & Garth from Wayne's World were among the most accessible costumes.

So the next time you go to criticize a hipster for being apathetic or having a lack of whimsy, consider what the effort they likely put into their Haloween costume. Then chuckle in amusement and let the feeling pass.